Score: 10

"I love it!"

submission: Jesus Sweets!

date: December 10, 2009

Oddly enough, I don't know why these people think you're making fun of Jesus. No where did I see any kind of disrespect towards Jesus. I mean, maybe the Jew thing was going a little overboard, but otherwise, you didn't under- or even overstate anything. The Sugar Crown of Thorns almost sent me into a coma of hysteria. Good work, and to all of you conservative, close-minded conservatives, nobody's making you watch this. Personally, I thought it was nice clean fun.

Score: 8

"Pretty Good..."

submission: Penguin Massacre

date: December 4, 2009

I just have one problem. If you make one wrong shopping decision at the start, you're screwed for the rest of the game.

Score: 7

"A little dry..."

submission: Parkour Parkour Brooklyn

date: November 18, 2009

Honestly, it was a bit boring. There were very few commands, and the time-stop didn't really add to anything. I would understand making it slower, but stopping it completely just sort of de-rails the pacing. Furthermore, the animation was, and I don't usually say this, but it wasn't flashy enough. It felt like the character was walking through the game, and quite often I was drawn away from him by other objects. If that's how it's supposed to be, then all right, but if you want what the character is doing to be the central point of the game, you need to turn it up a notch with him. Make him dash instead of jog. Make him leap instead of hop. Exaggerate every action at least a little. Draw me into the action rather than focusing on the mechanics. This was a good first step, but the next one is going to take a lot of effort. Are you up for it?

Score: 10

"Oddly soothing but also briefly disturbing"

submission: [OS] Beyond The Snow

date: December 3, 2009

In the beginning of the piece, I can feel the gentle, trickling notes interjected by loud, thunderous chords, perhaps the silence of solace interjected with short, possibly unwanted social events? Then the notes and the chords begin to meld together and become whole. The two sides of the song become one. The chords become gentler, and the single notes become more proactive and adventurous. The whole song is backed by long drawn-out breaths that occur throughout, which serves possibly as the driving wind that keeps the song going.

This is what I see, let me know if any of it was close.

In any event, it's a beautiful piece, very complexity-within-a-simplicity-within -a-complexity. Keep up the good work.

Score: 10

"Epicawesome!"

submission: The Land of the Forgotten

date: December 2, 2009

I haven't been on the audio portal in a while, but this song was here to welcome me today. Thank you so much for making this, and thank you, newgrounds, for letting it be the first thing I heard after my long sabbatical from the audio portal. It's like listening to a final showdown between all of the manliest heroes of all time and the most powerful villains in existence.

Score: 6

"I haven't found anything on this one."

submission: Zelda Trance-Mix

date: November 18, 2009

I'm still suspicious, but I'll give you the benefit of a doubt. Anyway, it's pretty good, but a little anti-climactic